Raymond Huizinga explores aspects of darkness, mentally as well as physically, through his use of a blackened plastic apartment. No light enters and only foreboding sound emanates as one approaches. In his installation ‘The Shape’, Huizinga constructs plastic, blow-up figures that he manipulates, flagellates and terminates during a series of performances in this closed-off and sealed apartment. The audience is offered the opportunity to experience another side of life. www